Robert Gordon
Robert Gordon has worked as an actor, director and playwright in the UK, South Africa, Ireland, Italy, USA and Czech Republic, and is author of Red Earth, a play about women under apartheid, and Waterloo Road. He is author of The Purpose of Playing: Modern Acting Theory in Perspective (2006), Harold Pinter’s Theatre of Power (2012) and British Musical Theatre Since 1950 (2016) with Olaf Jubin and Millie Taylor. He has also edited three collections on musical theatre for OUP. As Professor of Theatre and Director of the Pinter Centre for Performance and Creative Writing at Goldsmiths, University of London, he introduced the first British MA in Musical Theatre. For the Pinter Centre, he devised and co-directed Pinter: In Other Rooms, which toured European cities. Shylock Speaks is part of a 10-year creative research project, Decolonising Shakespeare, which aims to confront present-day racism as the legacy of European anti-Semitism and colonialism.

The Holocaust in Italian Culture
Fascist Italy was the model for Nazi Germany, and Mussolini Hitler’s prime World War Two ally. Italy was a theatre of war and a victim of Nazi persecution after 1943 as resistance, collaboration and civil war raged. Many thousands were deported to concentration camps across Europe. But how did Italy deal with unresolved questions about the Holocaust?
After the war, Italian culture produced a vast array of stories, images, and debate through which it sought to come to terms with what...

Shylock Speaks
The world premiere of a new short play followed by a discussion with Anthony Julius and Janet Suzman.
Robert Gordon and David Peimer present their new play, Shylock Speaks, exploring Shakespeare’s ‘outsider’. Shylock asks: Who is a citizen? Who an ‘alien’? As recurring forces of antisemitism frame cultural identity, where does Shylock belong today? The play promises a surprising new approach to The Merchant of Venice as the characters speak to our times.
This ...